COSMOSIS

COSMOSIS

Iona Miller on Zero-Point Mysteries, 1981-2008

10/2007 A key thread of rea­son­ing be­hind the idea of bub­ble un­iverses, which are some­times col­lec­tively called a “mul­ti­verse,” is the find­ing that seem­ingly emp­ty space con­tains en­er­gy, known as vac­u­um en­er­gy. Some the­o­rize that un­der cer­tain cir­cum­stances this en­er­gy can be con­vert­ed in­to an ex­plo­sively grow­ing, new un­iverse—the same pro­cess be­lieved to have giv­en rise to ours. The­o­ret­i­cal phys­i­cists in­clud­ing Mi­chio Kaku of ­city Col­lege of New York ar­gue that this might go on con­stant­ly—he has called it a “con­tin­ual gen­e­sis”—cre­at­ing many un­iverses, coex­isting not un­like bub­bles in a foamy bath. http://www.world-science.net/exclusives/071011_universes.htm

http://zero-point.tripod.com/diamondbody/dbodytoc.html

1981 ~ THE DIAMOND BODY: A Solid State Mandala, 1981

A mystical fusion of solid state physics, alchemy, qabalah and Jungian worldviews.

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http://members.tripod.com/Sourceress/

1991 ~ The Diamond Body: Buckminster Fuller & the Kabbalah

Buckminster Fuller's primordial geometry, the Vector Equilibrium Matrix, shares the sacred geometry of Kabbalah's Cube of Space and Merkabah Chariot.

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1992 ~ Anatomy of the Star Goddess

ANATOMY OF THE STAR GODDESS:. Quantum Cosmology, Virtual States, Energy Science,. Chaos Theory, and Scalar Fields. by Iona Miller, c1992 ...
http://zero-point.tripod.com/stargoddess/anatomy.html

Did Aleister Crowley and Madm. Blavatsky discover the Vacuum potential as source of Creation? Infinite space is the Goddess Nuit means the star goddess undergirds and sustains our entire experiential and phenomenological world.

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http://www.geocities.com/iona_m/Cosmology/Cosmology2000.html

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2001 ~ Physics of Consciousness Engineering, Part I

http://www.geocities.com/iona_m/Cosmology/ConEgineer.html

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2001 ~ PHYSICS OF CONSCIOUSNESS ENGINEERING, PART IIhttp://www.geocities.com/iona_m/Cosmology/ConEngineer2.html

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2003 ~ From Helix to Hologram

Nexus Magazine Vol. 10, #5

http://ionabrainstorm.50megs.com/whats_new_5.html

Public version of my science paper "Quantum Bioholography" for Journal of Nonlocal & Remote Mental Interaction.

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2005 ~ Biophysics

http://biophysics.50megs.com

Light is the fundamental element of biophysics. Light is generated and used for signalling and other functions in the body. Resonance therapies are being developed to effect and heal the scalar field body.

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2005 ~ Photonic Human

http://photonichuman.50megs.com

From the Heart of Darkness springs the Light, and we are That. Virtual Photon Fluctuation is the Source of the photons that form and sustain our Being. We are truly Light Beings: Homo Lumen. We literally inhabit and embody a Temple of Living Light, which is interconnected with the deepest level of Cosmos. We are shiny Diamonds of Rainbow Light. We are made in the Images of that Brilliance. Shine On!
In the Effulgence of its Brilliance.

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2006 ~ My Zero Point

http://myzeropoint.50megs.com

Find Your Own Zero Point DISCOVER THE WHOLE IN YOUR SOUL. All of Nature and our own nature arises from the omnipresent centerpoint of Zero-Point Energy or vacuum fluctuation, beyond energy/matter. Our whole body flickers in and out of existence at an astounding rate, and each of those quantum recreations is an opportunity to transform utterly.

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2006 ~ Virtual Physics

http://virtualphysics.50megs.com

"Fierce Luminosity" - Zero Point Awareness

YOU ARE HERE 

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2007 ~ Wizard of Zero Point – Paranoia Magazine, Dec. 07

http://virtualphysics.50megs.com/cgi-bin/util/sitebuilder/edit?editpage=whats_new_18.html

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St. Germain was an alchemist renown for his longevity and youthful appearance. Alchemy begins and ends in the quest for eternal life. It is a spiritual technology of rebirth using natural methods that in their effect transcend nature by amplifying that which is immortal within us. It does not exist in nature but must be prepared by Art. Art is a form of manifesting, making and objectifying the world - spiritual physics.

Artists and mystics are aware of their own internal space and thus able to enter it, playing the mindbody like a musical instrument. Looking inside, they see the true nature of reality and can express that literally and symbolically. We all possess the creative potential. All creative acts are a marriage of spirit and matter, reaching down into the body as the source of our essential being and becoming.

Today, we might describe this resonance as accessing energy that regenerates the mindbody. Healing is an aspect of creativity; nature is within and without us. The Magus does not dominate reality but develops embodied psychophysical equilibrium, clarity, wisdom and compassion.

The energy body or the field body, along with the scalars of our holographic blueprint, connect us directly with the negentropic potential of the zero-point field. Radiant light literally emerges from this mystic void. Primordial structuring processes are common to both psyche and matter, working in the gap or empty interval between intention and action.

So, alchemy refines the way the mindbody generates and processes inherent light as medicine. It refines the aspirant's ability for tapping and amplifying Medicine Light. This primordial state is the luminous ground of our being, hidden deep in the heart of things.

All other goals are subordinate to this prime directive which includes meditative techniques for continuing consciousness after death. This Philosopher's Stone is also the Universal Medicine, the regenerative Elixir of Life. The greatest mystery is Life After Death: we don't die but continue in transcendent form. This is the secret of man and nature.

THE PRACTICE OF ALCHEMY

In the alchemical search for the God-head in matter, Paracelsus contended that matter was a living counterpart of the creating deity. A system of correspondences is the foundation of alchemy. The conception of a primal event manifested in different fields is fundamental to alchemy. The process in the retort vessel is analogous to the process of transformation of the psyche. Through alchemy, we can perceive the parallels between macrocosm and microcosm, universe and man.

The metaphorical perception of alchemy grew in the Jungian school of psychology. It emphasizes the process of psychological transformation, or individuation. The model of the vector equilibrium matrix restores a physical basis to the concept of the Philosopher's Stone. This renews the alchemical philosophy which is, like Jungian psychology, concerned with the union of psyche and matter.

There are three primary aspects of alchemy:

1. Alchemy as theory, is a comprehensive philosophical vision of the cosmos, built on the universal correspondence system.
2. Alchemy as practice may be viewed as a creative discipline, an art-form, involving one in the imaginal realm of soul-making.
3. Alchemy, as a transcendental search or quest, has the primary goal of liberation from the world. This is the knowledge of immortality, through the union of opposites.

Paracelsus described alchemy as the voluntary action of man in harmony with the involuntary action of nature. If the center of the creative process takes place in the "heart of man", his intentions take on profound significance. They can now affect, or influence, the destinies of the cosmos. Attainment of this state is known as the production of the Philosopher's Stone or Diamond Body.

B. THE PHILOSOPHICAL CONCEPT OF THE IMMORTAL BODY

The Philosopher's Stone may be equated with the Causal Body, the Resurrection Body, or the Immortal Body. It is a vehicle for consciousness to inhabit, which is qualitatively different than the Astral Body, a double of the physical body.

Alchemy strives for the experience of spiritual rebirth through the union of opposites, or the sacred marriage. The Philosopher's Stone is also a symbol of the embryonic Self. It is the product of the sacred marriage, which has been characterized in alchemy as the union of the Sun (+) and the Moon (-).

Polarized positions, or extremes, may be symbolized variously as positive-negative, male-female, god-devil, spirit-matter, mother-father, etc. This marriage creates a bond by which opposites are united in an image which transcends both original potentials. The whole art of alchemy is contained within the image of a magical or divine child.

One of the alchemical goals is to create an eternal body for post-mortal continuation of the spirit and the soul. Both the western and Chinese alchemists felt this could be accomplished in a lifetime, with the help of God, or the Self. This vessel for immortality is the Diamond Body.

Alchemy, like Jungian psychology, is a creative discipline which embraces all things from the standpoint of soul.

C. Philosopher's Stone

There is an inherent paradox in alchemy: all the while stressing redemption of the physical body, or matter, alchemy is actively striving toward creation of a subtle, immortal body, which has no apparent physical basis.

This central problem in alchemy is the spiritual redemption of the physical body. Alchemy requires resurrection of the soul of body. The challenge one encounters is to "see through" to a unified vision of mundane physical processes with spiritual values. This develops an awareness of the ordering processes inherent in matter. The solution is to visualize the physical as a metaphor for psychic transformation.

Close scrutiny of the foundations of matter ought to reveal some physical analogies to this 'archetype of the spiritual essence inherent in matter.' In alchemy, matter is perceived as a living feminine counterpart of the spiritual father or creator-god. It is an equivalent, not subordinate, principle.

In THE COMMENTARIES OF AL, Aleister Crowley corresponded matter with the goddess Nuit. In other disciplines, Nuit is known as Sapientia Dei, Sophia, Shakti, Isis, Shekinah, etc. In alchemy, she is represented by the Anima Mundi, or World Soul. Nuit, as matter, is the feminine form of Godhead. Inherent in this word 'matter' are the concepts of matrix or lattice; and mater, the mothering womb. This implies a possible dovetailing of traditional attributes of Nuit with specific geometrical systems which operate at the atomic level.

O Nuit, continuous one of Heaven, let it be ever thus;
that men speak not of Thee as One but as None; and let them speak not of thee at all, since thou art continuous!

Nuit, as 'zero' or 'naught' represents the field of potentiality.(2) By definition, She may not be represented concretely, or be observed directly and finally. Her presence, however, may be inferred.

Microphysics, by feeling its way into the "unknown" side of matter, parallels the quest of the alchemist. The goal is toward a unified field theory, an all-encompassing model between subatomic and cosmological states of matter.

An analysis of crystals in microphysics (solid state physics) might provide a basis for unifying the philosophical and physical concepts regarding matter. This geometry can describe a system or matrix of unfoldment, bridging the microverse to the cosmos.

The geometry or matrix description of a crystal can act as a "lens." This "lens" enables one to "see" or focus a projection of the physical state of matter into its spiritual counterpart.

Alchemy is the means of "seeing the Philosopher's Stone", itself; it is also a means of "seeing through" the Stone. As such, it is a form of metaphorical perception. The Stone is produced by the transformation in one's own psyche.

The Philosopher's Stone, seen as a magic crystal, is not a spiritual or psychological state, but more a magickal tool or universally applicable instrument of magic. One can attain the ultimate mystical experience through proper application of the Stone. The Stone possesses the "virtue" or healing power to influence or transform things.

The process of making the Philosopher's Stone is a repitition of the creation myth via imagery. The imagery reverses the evolutional direction. It begins with animal images, then proceeds through images of plant life to more fundamental forms. The final goal is symbolized by metal, stone, or crystal.

This language usually presents the ego in a direct line of confrontation and covenant with a single self, represented by images of unity (mandalas, crystals, balls, wise men, and other patterns of order). But according to Jung the self has many archetypal instances. The puzzling relation between self and the archetypes reproduces the ancient enigma of the many-in-the-one and the one-in-the-many.(3)

The alchemical concept of the Stone accomodates either/both a monotheistic attitude (where God is One), or a polytheistic viewpoint (which recognizes the value of the differentiation among archetypal figures). When we can distinguish among divine figures, mythic creatures, and the phenomenal world, we may orient ourselves in the imaginal realm.

The process of alchemy takes place within cetain boundary conditions. It is visualized as occuring within a vessel (i.e. a containing form or matrix). Consciousness and life must be intensified or contained by focusing one's attention. The process of reversal signifies reunion with the unconscious laws of our being. These laws also affect the formation of matter on quantum levels (in the subatomic world of protons, neutrons, electrons, etc.).

The purpose of alchemy is real-I-zation of the many aspects of the Universe. The vessel contains and co-ordinates the manifold of psychic contents.

The vessel is the "lens" or geometrical relationship between these archetypes. It is possible to restore and renew the alchemical philosophy by reuniting psyche and matter through contemporary imagery. One way of pursuing this analogy of the Stone is by examining current concepts in solid state physics.

The mathematical descriptors relevant to the concept of the Stone are already developed. Archetypal ordering processes at the atomic level form a basis for a relationship between life and its crystal counterpart. This unification of vision may be found in the diamond crystal structure.